Communism Versus Democracy
( WHY IS THAT FAT GUY ON CRUTCHES TAKING POOR PEOPLE'S PENSION? )
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I heard/saw this video at the gym and fell in love with it. David Bowie + dance mix + awesome dance moves = win.
If a woman is interested in someone, that man will step aside and wait as the rest of the men go by. But if another man comes by on the belt that seems better than that woman’s first choice, she can swap out the man waiting off of the belt as many times as she wants until the last man has passed by. If two or more of the women are interested in the same man, the tables turn and the man on the conveyor belt gets to choose which one he would like to wait for. After all 30 men have made it through the 'Conveyor Belt of Love,' each woman is left with her final choice as they embark on a date in the hope of finding a true connection.It's sort of on my radar, because someone on my lawyer board mentioned it right before it aired and later reported that it was the trainwreck that everyone though it would be. I kind of got the impression that the show was a souped up version of that old show Studs, but in reverse.
I spend most of my time teaching at colleges and universities. I go around talking about masculinity. And what it means to be a guy. And how to be different from most of the macho stereotypes. What I do in order to do that is a theater show called Becoming a Man in 127 EASY Steps and I spend most of my time in that show up in a Cirque du Soleil type fabric which I climb up and do tricks in and all that stuff.
Scott Turner Schofield puts his personal journey from female-bodied boy to butch girl to unrecognizable woman to man on display through his performance, Becoming a Man in 127 EASY Steps. Schofield has created a "Choose Your Own Adventure" solo play, where the audience chooses which of the 127 autobiographical stories he has developed. These stories, conveyed through storytelling, stand-up comedy, fantastical movement sequences and drag routines, explore Schofield's transition from female to male, exploring his origins, childhood and young life as a transgender person. Sometimes funny, sometimes shocking in their frank emotional honesty, these wildly original theatrical performances last from 30 seconds to five minutes and give audiences a view into the many parts of a person that make up the whole.
The Bryan clinic reported performing fifteen surgical abortions on September 26. Johnson has consistently said that the patient in question was thirteen weeks pregnant, which is plausible, since thirteen weeks is right at the cusp of when physicians will consider using an ultrasound to assist with the procedure. Yet none of the patients listed on the report for that day were thirteen weeks pregnant; in fact, none were beyond ten weeks.When Texas Monthly pressed Ms. Johnson on the issue,
Johnson volunteered that the patient in question was a black woman, a description that she has never previously included in her account. Only one patient from September 26 was black, according to the Induced Abortion Report Form, and she was in the sixth week of her pregnancy. There would be no medical reason for a doctor to use an ultrasound to guide an abortion performed on a woman at such an early stage. Even if one was used, it’s hard to imagine how Johnson, who said she has seen hundreds of ultrasound pictures in her career, could mistake a one-quarter-inch-long embryo for a three-inch, thirteen-week fetus.Johnson later suggests that Planned Parenthood doctored the form to discredit her, though apparently she's never disclosed the race of the pregnant woman before so it would have been difficult to pre-determine her statement. I don't know if Texas Monthly got the Induced Abortion Report Form from Planned Parenthood or the Texas Department of State Health Services. I suspect the latter under a public information request, since the form does contain information that could be considered individually identifiable under HIPAA (date of service, for you HIPAA junkies out there). The Texas Administrative Code says the data has to be submitted annually, but facilities can submit the form on a monthly or quarterly basis for greater efficiency. I don't know how often Planned Parenthood submits the form, but the story about the conversion didn't come out until November 4, and the procedure that supposedly triggered the conversion ocurred on September 26th. The end of September tends to be the end of the third quarter, and the end of the month would have been the same. Give a few days to compile data and send it in, it would have hit the State by mid-October, well before Ms. Johnson's story came out.
Now, comfortably middle aged, the zany puppets who came to prominence in the 1970s with "The Muppet Show" have recaptured their youthful bravado.
And they're doing it by popping up all over the Disney corporate matrix, including appearances on ABC and ESPN programs, top billing on the Walt Disney Company's homepage and, soon, in a network special and feature film written by "Forgetting Sarah Marshall" star Jason Segel.
But nothing has brought audiences back into the fold quite like YouTube.
Kermit, Miss Piggy, Fozzie and the rest of the Jim Henson's creatures have become internet sensations with their recent viral video cover of "Bohemian Rhapsody," and their more recently released version of the Christmas carol "Ringing of the Bells." The puppets take on the Queen classic has drawn over 11.5 million viewers.
Versions of "Ode to Joy" and short videos featuring the likes of the Swedish Chef demonstrating pumpkin carving have also attracted hundreds of thousands of viewers to the Muppets' YouTube channel.
The Muppets have been further shaking off their self-imposed seclusion (it's been over 10 years since their last feature film) with a series of strategic cameos on established television shows. Characters are popping up on programs such as "Dancing With the Stars," where Animal banged on the drums as Aaron Carter hoofed it to the theme from "The Muppet Show." Miss Piggy interviewed guests during the series finale.